‘One step at a time but very gratifying’: Aditi Rao Hydari on ‘Bhoomi’ and her stop-start career

The almost famous actor on bagging Sanjay Dutt’s comeback and battling the perception that she is ‘too fragile’.

Aditi Rao Hydari has always been a bit of an oddity in Bollywood.

Despite being cast by some celebrated filmmakers – Sudhir Mishra, Sanjay Leela Bhansali, Rakeysh Mehra, Mani Ratnam – the award-wining actress has always stopped short of being considered marquee material in the big-ticket projects to which she has added heft and nuance.

Omung Kumar’s upcoming film Bhoomi could change that perception. The September 22 release stars Rao Hydari in the titular role, with Sanjay Dutt playing her avenging father. She is also in Bhansali’s November release Padmavati as Alauddin Khilji’s wife. Excerpts from an interview.

You have worked with some of the most elite filmmakers in Bollywood. How do you position ‘Bhoomi’ in this context?
It is always great to do different kinds of films and roles because quite often, we get boxed in and it is really difficult to break out of it. Somewhere I feel quite blessed that good filmmakers have picked me for their films. This year has been especially good – with Mani sir’s classic to Sanjay Leela Bhansali’s epic Padmavati and a thrilling revenge drama and a father daughter story. One step at a time but very gratifying.

Bhoomi was hard in many ways. But I was up for a challenge. Here is a girl who wants to be in charge of her own destiny, with her father’s support. She is in an equal relationship with her father. She is hurt but not broken. She is not cowering. And father and daughter always stand for each other. We have shown a father walk into a kitchen to teach his daughter how to cook. It is very topical in today’s context.

There are several other references to a girl’s world – how her home is not her own, but her parents’. And then her in-laws’. There are many other issues that this film may force you to confront – honour killing, violence in all forms against women. So yes, easy storytelling that raises a lot of important questions; questions that make my blood boil. I was lucky to be a part of such a film.

Bhoomi (2017).

It came as a surprise to have you and Sanjay Dutt in lead roles. How did you become a part of this project?
Omung sir [Kumar, the director] and Sandeep [Singh] co-producer had been toying with the idea of doing this film with me, and he mentioned it to me causally. I didn’t realise how serious they were – I took it as one of the many things that people tell you.

When I was shooting for Padmavati, they called me and we met up. They narrated the story to me and when it ended, I could not respond. I needed air. It was very disturbing at various levels. I told them that I needed time to work it out.

Other than the social and cultural message, what else about the film affected you?
The relationship that this simple, sunshine girl has with the paternal figure. Having grown up without my father (her parents separated when she was two) and having lost him only a couple of years ago, I could relate to the film at a more personal level. And also the question that it raises: girls are with their families all the time. But are their families with them?

Did you feel any scepticism over your abilities to pull off such complex roles?
There were many who were against me playing this part and, and they did try to put a spanner in the works. I got to hear things like, this is a strong role, she looks too fragile.

What does that mean?
Exactly my point. It was ridiculous, really. They also said the role should have been given to a fresh face with no baggage, and I have been around for six years already. But thankfully, the filmmakers believed in my abilities and my innate strength and the fact that I am versatile enough to have made a mark in a variety of roles. I guess I have some unseen guardian angels who made them see those qualities in me.

Genda Phool, Delhi 6 (2009).

This is also a significant film for Sanjay Dutt after his release from prison. What was it like working with him?
For the moment Sanjay Dutt walked onto the set, it was an equation set in stone. He was a tremendous presence: focused, disciplined. He chose this project as his comeback film over other scripts, a film in which the title character is a woman. A film where the first muhurat shot is not just about him, but both of us. The opening shot of the film shows me dyeing his hair.

You could see the hunger in his eyes for good cinema and the dedication with which he shot this film. All the men on the set made me feel that I had a voice that was heard. Every time I suggested changes in the dialogue because I thought it would be out or character, Sanju sir acknowledged it.

It was also so touching to see the unconditional love people have for him and how, despite all the knocks that life has dealt him, he is all heart. You cannot write off Sanjay Dutt. Ever.

Mani Ratnam’s ‘Kaatru Veliyidai’ was another milestone for you. Despite you putting in a solid performance, the film was said to be one of his worst.
Mani sir’s films are always like this – they are meant to encourage a debate. Also, we knew this was a niche film and bound to ruffle a few feathers. The Tamil version actually did better than the Telugu one. Mani sir told me that Leela, my character, is a hit. That sparkle in his eyes was the best thing I could ask for.

Kaatru Veliyidai (2017).
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“My body instantly craves chai and samosa”

German expats talk about adapting to India, and the surprising similarities between the two cultures.

The cultural similarities between Germany and India are well known, especially with regards to the language. Linguists believe that Sanskrit and German share the same Indo-Germanic heritage of languages. A quick comparison indeed holds up theory - ratha in Sanskrit (chariot) is rad in German, aksha (axle) in Sanskrit is achse in German and so on. Germans have long held a fascination for Indology and Sanskrit. While Max Müller is still admired for his translation of ancient Indian scriptures, other German intellectuals such as Goethe, Herder and Schlegel were deeply influenced by Kalidasa. His poetry is said to have informed Goethe’s plays, and inspired Schlegel to eventually introduce formal Indology in Germany. Beyond the arts and academia, Indian influences even found their way into German fast food! Indians would recognise the famous German curry powder as a modification of the Indian masala mix. It’s most popular application is the currywurst - fried sausage covered in curried ketchup.

It is no wonder then that German travellers in India find a quite a lot in common between the two cultures, even today. Some, especially those who’ve settled here, even confess to Indian culture growing on them with time. Isabelle, like most travellers, first came to India to explore the country’s rich heritage. She returned the following year as an exchange student, and a couple of years later found herself working for an Indian consultancy firm. When asked what prompted her to stay on, Isabelle said, “I love the market dynamics here, working here is so much fun. Anywhere else would seem boring compared to India.” Having cofounded a company, she eventually realised her entrepreneurial dream here and now resides in Goa with her husband.

Isabelle says there are several aspects of life in India that remind her of home. “How we interact with our everyday life is similar in both Germany and India. Separate house slippers to wear at home, the celebration of food and festivals, the importance of friendship…” She feels Germany and India share the same spirit especially in terms of festivities. “We love food and we love celebrating food. There is an entire countdown to Christmas. Every day there is some dinner or get-together,” much like how Indians excitedly countdown to Navratri or Diwali. Franziska, who was born in India to German parents, adds that both the countries exhibit the same kind of passion for their favourite sport. “In India, they support cricket like anything while in Germany it would be football.”

Having lived in India for almost a decade, Isabelle has also noticed some broad similarities in the way children are brought up in the two countries. “We have a saying in South Germany ‘Schaffe Schaffe Hausle baue’ that loosely translates to ‘work, work, work and build a house’. I found that parents here have a similar outlook…to teach their children to work hard. They feel that they’ve fulfilled their duty only once the children have moved out or gotten married. Also, my mother never let me leave the house without a big breakfast. It’s the same here.” The importance given to the care of the family is one similarity that came up again and again in conversations with all German expats.

While most people wouldn’t draw parallels between German and Indian discipline (or lack thereof), Germans married to Indians have found a way to bridge the gap. Take for example, Ilka, who thinks that the famed differences of discipline between the two cultures actually works to her marital advantage. She sees the difference as Germans being highly planning-oriented; while Indians are more flexible in their approach. Ilka and her husband balance each other out in several ways. She says, like most Germans, she too tends to get stressed when her plans don’t work out, but her husband calms her down.

Consequently, Ilka feels India is “so full of life. The social life here is more happening; people smile at you, bond over food and are much more relaxed.” Isabelle, too, can attest to Indians’ friendliness. When asked about an Indian characteristic that makes her feel most at home, she quickly answers “humour.” “Whether it’s a taxi driver or someone I’m meeting professionally, I’ve learnt that it’s easy to lighten the mood here by just cracking a few jokes. Indians love to laugh,” she adds.

Indeed, these Germans-who-never-left as just diehard Indophiles are more Indian than you’d guess at first, having even developed some classic Indian skills with time. Ilka assures us that her husband can’t bargain as well as she does, and that she can even drape a saree on her own.

Isabelle, meanwhile, feels some amount of Indianness has seeped into her because “whenever its raining, my body instantly craves chai and samosa”.

Like the long-settled German expats in India, the German airline, Lufthansa, too has incorporated some quintessential aspects of Indian culture in its service. Recognising the centuries-old cultural affinity between the two countries, Lufthansa now provides a rich experience of Indian hospitality to all flyers on board its flights to and from India. You can expect a greeting of Namaste by an all-Indian crew, Indian food, and popular Indian in-flight entertainment options. And as the video shows, India’s culture and hospitality have been internalized by Lufthansa to the extent that they are More Indian Than You Think. To experience Lufthansa’s hospitality on your next trip abroad, click here.


This article was produced by the Scroll marketing team on behalf of Lufthansa as part of their More Indian Than You Think initiative and not by the Scroll editorial team.