Ever since Pahlaj Nihalani took over the Central Board of Film Certification in 2015, his past transgressions as a producer have been gleefully resurrected by his critics. One of the most memorable among them is the song Khada Hai from Andaz (1994), among the many films Nihalani produced in the 1980s and ’90s. Nihalani allegedly recalled the song and its reputation and cited it a cause for wanting director Kushal Nandy to get rid of the word “khada” from his film Babumoshai Bandookbaaz.
Directed by David Dhawan, Andaz stars Anil Kapoor as Ajay Kumar, a mild-mannered school teacher who can fight the bad guys if need be. The principal’s daughter Jaya (Karisma Kapoor) is infatuated with Ajay, but it is against his morals to have an affair with her. Instead, he marries orphan Saraswati (Juhi Chawla), who is too much of a sanskari simpleton to please Ajay in all the ways he would like.
One night, after being denied sex by Saraswati, Ajay sleeps outside the house but starts to feel the pangs of pleasure. He shouts “Snake!” and a concerned Saraswati walks out. Ajay drums on her waist with his fingers, Saraswati makes a face, and Khada Hai (“It is standing”) begins.
As Ajay declares “Khada hai, khada hai”, Jaya hugs her pillow hard and shivers. Throughout the song, Ajay wants to enter the house, while Saraswati keeps the doors closed (“Dar pe tere aashiq khada hai, khol khol khol darwaza khol.”) The lyrics are by Indeevar.
The song-and-dance routine is later joined by the neighbours, who are shooed away by Saraswati with a broom. Ajay’s after-hour aerobatics are in vain. Saraswati does not relent, and the night is saved without any “humping scenes”.
Not just for experts: How videography is poised for a disruption
Digital solutions are making sure it’s easier than ever to express your creativity in moving images.
Where was the last time you saw art? Chances are on a screen, either on your phone or your computer. Stunning photography and intricate doodles are a frequent occurrence in the social feeds of many. That’s the defining feature of art in the 21st century - it fits in your pocket, pretty much everyone’s pocket. It is no more dictated by just a few elite players - renowned artists, museum curators, art critics, art fair promoters and powerful gallery owners. The digital age is spawning creators who choose to be defined by their creativity more than their skills. The negligible incubation time of digital art has enabled experimentation at staggering levels. Just a few minutes of browsing on the online art community, DeviantArt, is enough to gauge the scope of what digital art can achieve.
Sure enough, in the 21st century, entire creative industries are getting democratised like never before. Take photography, for example. Digital photography enabled everyone to capture a memory, and then convert it into personalised artwork with a plethora of editing options. Apps like Instagram reduced the learning curve even further with its set of filters that could lend character to even unremarkable snaps. Prisma further helped to make photos look like paintings, shaving off several more steps in the editing process. Now, yet another industry is showing similar signs of disruption – videography.
Once burdened by unreliable film, bulky cameras and prohibitive production costs, videography is now accessible to anyone with a smartphone and a decent Internet bandwidth. A lay person casually using social media today has so many video types and platforms to choose from - looping Vine videos, staccato Musical.lys, GIFs, Instagram stories, YouTube channels and many more. Videos are indeed fast emerging as the next front of expression online, and so are the digital solutions to support video creation.
One such example is Vizmato, an app which enables anyone with a smartphone to create professional-looking videos minus the learning curve required to master heavy, desktop software. It makes it easy to shoot 720p or 1080p HD videos with a choice of more than 40 visual effects. This fuss- free app is essentially like three apps built into one - a camcorder with live effects, a feature-rich video editor and a video sharing platform.
With Vizmato, the creative process starts at the shooting stage itself as it enables live application of themes and effects. Choose from hip hop, noir, haunted, vintage and many more.
Or you can simply choose to unleash your creativity at the editing stage; the possibilities are endless. Vizmato simplifies the core editing process by making it easier to apply cuts and join and reverse clips so your video can flow exactly the way you envisioned. Once the video is edited, you can use a variety of interesting effects to give your video that extra edge.
You can even choose music and sound effects to go with your clip; there’s nothing like applause at the right moment, or a laugh track at the crack of the worst joke.
Or just annotated GIFs customised for each moment.
Vizmato is the latest offering from Global Delight, which builds cross-platform audio, video and photography applications. It is the Indian developer that created award-winning iPhone apps such as Camera Plus, Camera Plus Pro and the Boom series. Vizmato is an upgrade of its hugely popular app Game Your Video, one of the winners of the Macworld Best of Show 2012. The overhauled Vizmato, in essence, brings the Instagram functionality to videos. With instant themes, filters and effects at your disposal, you can feel like the director of a sci-fi film, horror movie or a romance drama, all within a single video clip. It even provides an in-built video-sharing platform, Popular, to which you can upload your creations and gain visibility and feedback.
So, whether you’re into making the most interesting Vines or shooting your take on Ed Sheeran’s ‘Shape of You’, experience for yourself how Vizmato has made video creation addictively simple. Android users can download the app here and iOS users will have their version in January.
This article was produced by the Scroll marketing team on behalf of Vizmato and not by the Scroll editorial team.