Shooting film songs

Picture the song: When Amol Palekar grinned his way to success in ‘Ye Din Kya Aaye’

The entire world of Basu Chatterjee’s ‘Chhoti Si Baat’ is contained in a six-minute musical interlude.

“We went to see Pyaasa in a theatre and as Rut phire par din hamaare began playing, people started walking out. So I have removed it,” said Waheeda Rehman as she remembered Guru Dutt’s explanation for jettisoning her solo song from the 1967 film. Dutt realised that his cherished creation was a “cigarette song” – industry parlance for a musical track during which audience members leave the cinema for a nicotine break, Rehman said in her book-length conversation with Nasreen Munni Kabir. With the arrival of VHS tapes and DVDs, the “cigarette song” was quickly avoided by pressing the fast forward button.

If you had used these options for Ye Din Kya Aaye from Basu Chatterjee’s classic romantic comedy Chhoti Si Baat (1975), not only would you have lost out on the plot but also missed out on six minutes of pure movie magic.

“Yeh din kya aaye,” begins Mukesh in his signature nasal voice as the trio – Amol Palekar’s Arun, Vidya Sinha’s Prabha and Asrani’s Nagesh – leave the comfortable environs of Café Samovar in Jehangir Art Gallery in Mumbai’s Kala Ghoda neighbourhood for the faux Chinese interiors of Flora restaurant in Worli. Since the song is all about faces – the looks of confusion, anger and despair on Nagesh’s face as he realises he is fighting a losing battle, the blossoming romance between Arun and Prabha – dialogue and lipsync are unnecessary.

For the Bombay nostalgist, much of the song’s pleasures come from its depictions of courtships in pre-liberalised India: playing tic, tac, toe on the corner of a bed and taking comfortable bus rides in the warmth of the Mumbai evening sun.

The song ends with a chess match between Arun and Nagesh. Even though Arun loses the match, the musical interlude that came before shows that he has already won the heart of his lady love, and that’s all that matters.

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Ye Din Kya Aaye from Chhoti Si Baat (1975).
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London then and now – As experienced by Indians

While much has changed, the timeless quality of the city endures.

“I found the spirit of the city matching the Bombay spirit. Like Bombay, the city never sleeps and there was no particular time when you couldn’t wander about the town freely and enjoy the local atmosphere”, says CV Manian, a PhD student in Manchester in the ‘80s, who made a trip to London often. London as a city has a timeless quality. The seamless blend of period architecture and steel skyscrapers acts as the metaphor for a city where much has changed, but a lot hasn’t.

The famed Brit ‘stiff upper lip, for example, finds ample validation from those who visited London decades ago. “The people were minding their business, but never showed indifference to a foreigner. They were private in their own way and kept to themselves.” Manian recollects. Aditya Dash remembers an enduring anecdote from his grandmother’s visit to London. “There is the famous family story where she was held up at Heathrow airport. She was carrying zarda (or something like that) for my grandfather and customs wanted to figure out if it was contraband or not.”

However, the city always housed contrasting cultures. During the ‘Swinging ‘60s’ - seen as a precursor to the hippie movement - Shyla Puri’s family had just migrated to London. Her grandfather still remembers the simmering anti-war, pro-peace sentiment. He himself got involved with the hippie movement in small ways. “He would often talk with the youth about what it means to be happy and how you could achieve peace. He wouldn’t go all out, but he would join in on peace parades and attend public talks. Everything was ‘groovy’ he says,” Shyla shares.

‘Groovy’ quite accurately describes the decade that boosted music, art and fashion in a city which was till then known for its post-World-War austerities. S Mohan, a young trainee in London in the ‘60s, reminisces, “The rage was The Beatles of course, and those were also the days of Harry Belafonte and Ella Fitzgerald.” The likes of The Rolling Stones and Pink Floyd were inspiring a cultural revolution in the city. Shyla’s grandfather even remembers London turning punk in the ‘80s, “People walking around with leather jackets, bright-colored hair, mohawks…It was something he would marvel at but did not join in,” Shyla says.

But Shyla, a second-generation Londoner, did join in in the revival of the punk culture in the 21st century. Her Instagram picture of a poster at the AfroPunk Fest 2016 best represents her London, she emphatically insists. The AfroPunk movement is trying to make the Punk culture more racially inclusive and diverse. “My London is multicultural, with an abundance of accents. It’s open, it’s alive,” Shyla says. The tolerance and openness of London is best showcased in the famous Christmas lights at Carnaby Street, a street that has always been popular among members of London’s alternate cultures.

Christmas lights at Carnaby Street (Source: Roger Green on Wikimedia Commons)
Christmas lights at Carnaby Street (Source: Roger Green on Wikimedia Commons)

“London is always buzzing with activity. There are always free talks, poetry slams and festivals. A lot of museums are free. London culture, London art, London creativity are kept alive this way. And of course, with the smartphones navigating is easy,” Shyla adds. And she’s onto something. Manian similarly describes his ‘80s rendezvous with London’s culture, “The art museums and places of interest were very illustrative and helpful. I could tour around the place with a road map and the Tube was very convenient.” Mohan, with his wife, too made the most of London’s cultural offerings. “We went to see ‘Swan Lake’ at the Royal Opera House and ‘The Mousetrap’ by Agatha Christie. As an overseas graduate apprentice, I also had the pleasure to visit the House of Lords and take tea on the terrace.”

For the casual stroller along London’s streets today, the city would indeed look quite different from what it would’ve to their grandparents. Soho - once a poor suburb known for its crime and sex industry - is today a fashionable district of upmarket eateries and fashion stores. Most of the big British high street brands have been replaced by large international stores and the London skyline too has changed, with The Shard being the latest and the most impressive addition. In fact, Shyla is quite positive that her grandfather would not recognise most of the city anymore.

Shyla, though, isn’t complaining. She assures that alternate cultures are very much alive in the city. “I’ve seen some underground LGBT clubs, drag clubs, comedy clubs, after midnight dance-offs and empty-warehouse-converted parties. There’s a space for everybody.” London’s cosmopolitan nature remains a huge point of attraction for Indian visitors even today. Aditya is especially impressed by the culinary diversity of London and swears that, “some of the best chicken tikka rolls I have had in my life were in London.” “An array of accents flood the streets. These are the people who make London...LONDON,” says Shyla.

It’s clear that London has changed a lot, but not really all that much. Another aspect of Indians’ London experience that has remained consistent over the past decades is the connectivity of British Airways. With a presence in India for over 90 years, British Airways has been helping generations of Indians discover ‘their London’, just like in this video.

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This article was produced by the Scroll marketing team on behalf of British Airways and not by the Scroll editorial team.