15 films about children to mark Chacha Nehru’s birthday

Children’s Day is the perfect excuse to visit the most enduring cinematic explorations of the world of the little ones.

Our list of the best movies with which to commemorate Children’s Day have passed through a few tests. The children should behave like children, rather than midget-sized adults who know it all. They should sound like themselves, and not deliver dialogue in singsong voices or those high-pitched tones that grate on the nerves. They should preferably be curious rather than precocious, and hang on their innocence and uncorrupted selves. The titles themselves need to reflect the world of the little ones with honesty, intelligence and sensitivity. Humour is a bonus.

Pather Panchali (1955) Satyajit Ray’s Pather Panchali has child artistes who sparkle. In spite of their poverty, Apu (Subir Banerjee) and Durga (Uma Das Gupta) bring simple pleasures to a life that can still afford running through the fields, dancing in the rain and the sweet-sour taste of blended tamarind.

Subir Banerjee as Apu. Courtesy Society for the Preservation of Satyajit Ray Archives.
Subir Banerjee as Apu. Courtesy Society for the Preservation of Satyajit Ray Archives.

Kummatty (1979) G Aravindan’s magical movie examines the folklore surrounding the bogeyman who turns children into animals for fun and then turns them back into humans. One boy in a village misses the moment when the spell is broken and is stuck in a dog’s body. Evocatively shot by Shaji N Karun, the movie features a lovely musical score.

My Dear Kuttichattan (1984) This early 3D film in Malayalam by Jijo Punnoose, dubbed in Hindi as Chhota Chetan, is firmly embedded in the memories of the children of the 1980s. Kuttichatan is a ghost who escapes the spell of an evil sorcerer and befriends three children, one of whom has a comically alcoholic father (Dalip Tahil). Among its highlights: Kuttichattan walking on the walls, and smuggling his friends into a cabaret show that soon becomes sanskari, thanks to Kuttichattan’s magic.

Mr India (1987) Shekhar Kapur proved that he could create winsome child characters in Masoom (1983). In Mr India, a movie for the child inside every adult, Kapur assembles a band of children who are inspired by the bratty brood from The Sound of Music. They play off beautifully against the adults, especially in the acclaimed “Tina, meri dost banogi?” scene.

'Mr India'.

Salaam Bombay! (1998) Mira Nair’s estimable debut features street children playing versions of themselves. The hardscrabble world of truants, drug peddlers, pint-sized thieves and child prostitutes hustling for survival and snatched moments of happiness on the streets of Mumbai is marvellously performed by the non-professional actors, especially Shafiq Syed as the lead character Krishna.

Abhayam (1991) Santosh Sivan has made his share of acclaimed children’s films, including Halo, Malli, and Tahaan, while the actor Tarun is better known for Mani Ratnam’s Anjali (1990). But both shone in a different project altogether. The Malayalam film Abhayam, directed by the cinematographer’s father, Sivan, is the charming tale of Vinu (Tarun), who feels oppressed enough by his alarm clock and his school to flee home and try and make his way to his beloved grandfather’s house in the village.


Halo (1996) When Sasha finds a stray puppy and names him Halo, her mother-less life suddenly seems complete. When Halo goes missing, Sasha (Benaf Dadachandji, outstanding) assembles her friends (including an adorable bald and bespectacled boy) and sets out on a hunt throughout Mumbai. Since the movie has been written by Sanjay Chhel and beautifully shot and directed by Santosh Sivan from a knee-high perspective, all the adults behave comically, including Raj Kumar Santoshi as Sasha’s father and Mukesh Rishi as the kindly police inspector.


Iqbal (2005) Nagesh Kukunoor’s Iqbal shows the will and promise of an upcoming deaf-mute cricketer played by a fresh and unmannered Shreyas Talpade, but the superb performance of Shweta Prasad who plays his twinkling-eyed, canny younger sister is what complements his story and makes for the film’s delightful moments.

Little Zizou (2008) Sooni Taraporevala’s directorial debut looks at the debate over racial purity within the Parsi community through the eyes of our titular hero, a Zinedine Zidane fan. His real name (Xerxes) is as much of an embarrassment as Khodaiji, his fundamentalist priest father. Zizou’s adventures are interwoven with his brother Art’s one-sided romance, the liberal newspaper publisher Presswala’s battles against Khodaiji, and Presswala’s sparky daughter, Liana. Taraporevala’s own children, Jehan and Iyanah, play Zizou and Liana.

Pasanga (2009) Although they fail our no-precocious test, the kids from Pasanga are irresistible. Pandiraj’s debut feature, in Tamil, is about the rivalry between Anbukkarasu, future Collector of his Tamil Nadu district, and his neighbour and classmate Jeeva, who is the son of the school teacher. The bitter contest unfolds even as Anbukkarasu’s uncle falls for Jeeva’s sister.


Stanley Ka Dabba (2011) Despite its insistently upbeat tone, Amole Gupte’s movie is actually the sad story of an orphan who is shamed by his teacher for not bringing a lunchbox to school. Stanley (Partho Gupte) tucks into the food his classmates bring every day, and surprises his teacher by turning up with his own meal one day.

‘Stanley Ka Dabba’.
‘Stanley Ka Dabba’.

The Good Road (2013) Grim and gritty, Gyan Correa’s The Good Road was the controversial entry for the Oscars in 2013. Along with Aditya (Keval Katrodia) and Poonam (Poonam Kesar Singh), the film shows children who are lost in many ways. Strong and plucky, each child copes tearlessly to find a way out of their circumstances.

Kaaka Muttai (2015) M Manikandan’s beautifully observed and performed drama about two impoverished brothers who dream about pizza is about the real slumdogs who will never be millionaires. Known only as Crow’s Egg Senior (Vignesh) and Crow’s Egg Junior (Ramesh), the boys work hard to contribute to their household’s meagre earnings, but their resolve is tested when they encounter the cheesy pleasures of pizza.

Killa (2015) Cycling races, bathroom banter, and the memory of a summer spent in light and shadow – Avinash Arun’s moving debut is the story of 11-year-old Chinmay, who adjusts to a new school and a new set of friends after his mothers gets transferred. The class topper soon rebels, aided by a bunch of the most natural-sounding kids seen on the screen.


Bajrangi Bhaijaan (2015) Can anybody steal a film from under the nose of Salman Khan? Yes, she can. The angelic Harshaali Malhotra plays Munni, a mute girl from Pakistan-occupied Kashmir who gets lost in Agra and is taken home by the good-hearted Pavan (Khan) and intrepid Pakistani reporter Chand Nawab (Nawazuddin Siddiqui). Malhotra regains her speech in the last tear-jerking moments, but her expressive face and camera-friendliness speak volumes.

‘Bajrangi Bhaijaan’.
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The perpetual millennial quest for self-expression just got another boost

Making adulting in the new millennium easier, one step at a time.

Having come of age in the Age of the Internet, millennials had a rocky start to self-expression. Indeed, the internet allowed us to personalise things in unprecedented fashion and we really rose to the occasion. The learning curve to a straightforward email address was a long one, routed through cringeworthy e-mail ids like You know you had one - making a personalised e-mail id was a rite of passage for millennials after all.

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Created using Imgflip

And with chat rooms, early millennials had found a way to communicate, with...interesting results. The oldest crop of millennials (30+ year olds) learnt to deal with the realities of adolescent life hunched behind anonymous accounts, spewing their teenage hormone-laden angst, passion and idealism to other anonymous accounts. Skater_chick could hide her ineptitude for skating behind a convincing username and a skateboard-peddling red-haired avatar, and you could declare your fantasies of world domination, armed with the assurance that no one would take you seriously.

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Created using Imgflip

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Created using Imgflip

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This article was produced by the Scroll marketing team on behalf of Airtel Payments Bank and not by the Scroll editorial team.