women's narratives

A campaign reminds us of the missing person on the director’s chair

52 Films by Women asks its users to pledge to watch a film by a woman every week. How does India measure up?

Dharm is a Hindi film about a revered and austere Brahmin priest who is compelled to revaluate his idea of religion. Marathi film Kapus Kondyachi Goshta chronicles the struggles of a fierce young woman and her three sisters as they grapple against insurmountable odds to keep their farm thriving after their father’s suicide. Irudhi Suttru is a Tamil film featuring the relationship between a grumpy boxing coach and his spirited protégé. These markedly diverse and entertaining films share an interesting commonality: they have all been directed by women.

Women in Film, an organisation in Los Angeles that focuses on enhancing women’s participation in the entertainment media, has launched a campaign titles 52 Films by Women. The initiative asks users to pledge to watch one movie by a woman every week for a year and post about it under the hastag #52filmsbywomen. The campaign is part of a larger initiative called Trailbazing Women, which aims to “raise awareness about the underrepresentation of women in positions of power” within the entertainment industry.

Women have long been condescendingly credited for influencing historic social changes from behind the scene. In the cinematic world, however, that position has been usurped by men. Women direct, write and produce an appallingly small number of movies the world over. In the Indian film industry, the gender ratio is abysmally skewed at 6.2 males to every female, according to the report of a study funded by the Oak Foundation. The report also revealed that only one in ten Indian directors is a woman (9.1%).

Indian female directors are attempting to find a foothold in an industry that has always been dominated by men, but are finding that that is particularly tricky for them to balance between artistic sensibility and economic returns. Yash Raj Films, one of India’s major production houses, has produced only one film directed by a woman (Bewakoofiyan, by Nupur Asthana) since its inception in 1970. Barring a few directors such as Farah Khan, Zoya Akhtar, Reema Kagti and Leena Yadav, female filmmakers are forced to make small budget or art house films.

Viewers who pledge to include a movie made by a woman in their weekly filmic diet are likely to also discover some fascinating small budget films directed by Indian women. For instance, Shonali Bose’s National Film Award winning Margarita with a Straw is details how Laila, a teenager afflicted with cerebral palsy, discovers herself through her sexuality. Manjadikuru, Anjali Menon’s Malayalam film, chronicles the experiences of a 10 year-old Vicky as he returns to his mother’s ancestral house after his grandfather’s death.

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‘Manjadikuru’ by Anjali Menon.

Deepa Mehta and Mira Nair have repeatedly proven their cinematic acumen with films like Fire and Monsoon Wedding, which capture a plethora of female experiences with wrenching insight. Leena Yadav’s Parched has also attracted praise for its frank portrayal of female sexuality.

Since female directors are few, they are tasked with the heavy responsibility of authentically depicting female experiences, and featuring believable female leads. However, Indian women have also made movies that offer alternative perspectives on masculinity, prominently featuring male perspectives without compromising on strong female voices in their narratives. Reema Kagti’s psychological thriller Talaash captures the grief of a man who has lost his child, but doesn’t neglect his wife’s anguish. Konkona Sen Sharma’s A Death in the Gunj deconstructs contradictory notions of masculinity.

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‘Parched’ by Leena Yadav.

Just as they bear the burden of intelligent representation, most films directed by women are also required to adhere to an intellectual standard that is not demanded from other cinematic efforts. They are often expected to contain grave ruminations about social and cultural realities, dissecting human emotion with restrained flourishes.

Indian female directors occasionally attempt to defy this notion, producing films that are either incisively witty or absolutely ridiculous. Consider Sai Paranjpye’s cult classic Chashme Buddoor, which features a trio of feckless college boys trying to woo a woman. Gauri Shinde’s English Vinglish retains comic moments even as it addresses the subtle but constant shaming that Indian housewives endure from their husbands and children. On the other hand, Farah Khan’s commercially successful films Main Hoon Na and Happy New Year completely abandon logic in their quest for humour.

As female directors start the tedious process of breaking the glass ceiling in Indian cinema, their work is gradually attracting attention. The Mumbai Film Festival’s 2016 edition has instituted a new award for the Best Indian Female Filmmaker. The need of an award that is marked with gender offers a painful reminder that movies made by women are still considered deviations from the norm.

But the few women who have made a place for themselves behind the camera are narrating diverse, vivid and compelling stories. And if cinema enthusiasts decide to engage with at least 52 of these narratives, they will get the audience they deserve.

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‘Dil Dhadakne Do’ by Zoya Akhtar.
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Ten awesome TV shows to get over your post-GoT blues

With those withdrawal symptoms kicking in, all you need is a good rebound show.

Hangovers tend to have a debilitating effect on various human faculties, but a timely cure can ease that hollow feeling generally felt in the pit of the stomach. The Game of Thrones Season 7 finale has left us with that similar empty feeling, worsened by an official statement on the 16-month-long wait to witness The Great War. That indeed is a long time away from our friends Dany, Jon, Queen C and even sweet, sweet Podrick. While nothing can quite replace the frosty thrill of Game of Thrones, here’s a list of awesome shows, several having won multiple Emmy awards, that are sure to vanquish those nasty withdrawal symptoms:

1. Billions

There is no better setting for high stakes white collar crime than the Big Apple. And featuring a suited-up Paul Giamatti going head-to-head with the rich and ruthless Damien Lewis in New York, what’s not to like? Only two seasons young, this ShowTime original series promises a wolf-of-wall-street style showcase of power, corruption and untold riches. Billions is a great high-octane drama option if you want to keep the momentum going post GoT.

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2. Westworld

What do you get when the makers of the Dark Knight Trilogy and the studio behind Game of Thrones collaborate to remake a Michael Crichton classic? Westworld brings together two worlds: an imagined future and the old American West, with cowboys, gun slingers - the works. This sci-fi series manages to hold on to a dark secret by wrapping it with the excitement and adventure of the wild west. Once the plot is unwrapped, the secret reveals itself as a genius interpretation of human nature and what it means to be human. Regardless of what headspace you’re in, this Emmy-nominated series will absorb you in its expansive and futuristic world. If you don’t find all of the above compelling enough, you may want to watch Westworld simply because George RR Martin himself recommends it! Westworld will return for season 2 in the spring of 2018.

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3. Big Little Lies

It’s a distinct possibility that your first impressions of this show, whether you form those from the trailer or opening sequence, will make you think this is just another sun-kissed and glossy Californian drama. Until, the dark theme of BLL descends like an eerie mist, that is. With the serious acting chops of Reese Witherspoon and Nicole Kidman as leads, this murder mystery is one of a kind. Adapted from author Liane Moriarty’s book, this female-led show has received accolades for shattering the one-dimensional portrayal of women on TV. Despite the stellar star cast, this Emmy-nominated show wasn’t easy to make. You should watch Big Little Lies if only for Reese Witherspoon’s long struggle to get it off the ground.

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4. The Night of

The Night Of is one of the few crime dramas featuring South Asians without resorting to tired stereotypes. It’s the kind of show that will keep you in its grip with its mysterious plotline, have you rooting for its characters and leave you devastated and furious. While the narrative revolves around a murder and the mystery that surrounds it, its undertones raises questions on racial, class and courtroom politics. If you’re a fan of True Detective or Law & Order and are looking for something serious and thoughtful, look no further than this series of critical acclaim.

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5. American Horror Story

As the name suggests, AHS is a horror anthology for those who can stomach some gore and more. In its 6 seasons, the show has covered a wide range of horror settings like a murder house, freak shows, asylums etc. and the latest season is set to explore cults. Fans of Sarah Paulson and Jessica Lange are in for a treat, as are Lady Gaga’s fans. If you pride yourself on not being weak of the heart, give American Horror Story a try.

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6. Empire

At its heart, Empire is a simple show about a family business. It just so happens that this family business is a bit different from the sort you are probably accustomed to, because this business entails running a record label, managing artistes and when push comes to shove, dealing with rivals in a permanent sort of manner. Empire treads some unique ground as a fairly violent show that also happens to be a musical. Lead actors Taraji P Henson and Terrence Howard certainly make it worth your while to visit this universe, but it’s the constantly evolving interpersonal relations and bevy of cameo appearances that’ll make you stay. If you’re a fan of hip hop, you’ll enjoy a peek into the world that makes it happen. Hey, even if you aren’t one, you might just grow fond of rap and hip hop.

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7. Modern Family

When everything else fails, it’s comforting to know that the family will always be there to lift your spirits and keep you chuckling. And by the family we mean the Dunphys, Pritchetts and Tuckers, obviously. Modern Family portrays the hues of familial bonds with an honesty that most family shows would gloss over. Eight seasons in, the show’s characters like Gloria and Phil Dunphy have taken on legendary proportions in their fans’ minds as they navigate their relationships with relentless bumbling humour. If you’re tired of irritating one-liners or shows that try too hard, a Modern Family marathon is in order. This multiple-Emmy-winning sitcom is worth revisiting, especially since the brand new season 9 premiers on 28th September 2017.

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8. The Deuce

Headlined by James Franco and Maggi Gyllenhaal, The Deuce is not just about the dazzle of the 1970s, with the hippest New York crowd dancing to disco in gloriously flamboyant outfits. What it IS about is the city’s nooks and crannies that contain its underbelly thriving on a drug epidemic. The series portrays the harsh reality of New York city in the 70s following the legalisation of the porn industry intertwined with the turbulence caused by mob violence. You’ll be hooked if you are a fan of The Wire and American Hustle, but keep in mind it’s grimmer and grittier. The Deuce offers a turbulent ride which will leave you wanting more.

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9. Dexter

In case you’re feeling vengeful, you can always get the spite out of your system vicariously by watching Dexter, our favourite serial killer. This vigilante killer doesn’t hide behind a mask or a costume, but sneaks around like a criminal, targeting the bad guys that have slipped through the justice system. From its premier in 2006 to its series finale in 2013, the Emmy-nominated Michael C Hall, as Dexter, has kept fans in awe of the scientific precision in which he conducts his kills. For those who haven’t seen the show, the opening credits give an accurate glimpse of how captivating the next 45 minutes will be. If it’s been a while since you watched in awe as the opening credits rolled, maybe you should revisit the world’s most loved psychopath for nostalgia’s sake.

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10. Rome

If you’re still craving an epic drama with extensive settings and a grandiose plot and sub-plots, Rome, co-produced by HBO and BBC, is where your search stops. Rome is a historical drama that takes you through an overwhelming journey of Ancient Rome’s transition from a republic to an empire. And when it comes to tastes, this series provides the similar full-bodied flavour that you’ve grown to love about Game of Thrones. There’s a lot to take away for those who grew up quoting Julius Caesar, and for those looking for a realistic depiction of the legendary gladiators. If you’re a history buff, give this Emmy-winning show a try.

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For your next obsession, Hotstar Premium has you covered with its wide collection of the most watched shows in the world. Apart from the ones we’ve recommended, Indian viewers can now easily watch other universally loved shows such as Silicon Valley and Prison Break, and movies including all titles from the Marvel and Disney universe. So take control of your life again post the Game of Thrones gloom and sign up for the Hotstar Premium membership here.

This article was produced by the Scroll marketing team on behalf of Hotstar and not by the Scroll editorial team.